Whenever I think of Shiva, I think of Him seated in a
meditative pose in the Himalayas, ash-smeared body burning with and radiating
tapasya. I think of the moment I had
darshan at Amarnath, surrounded by snowy peaks and glaciers, gazing upon the
majestic ice linga in the cave. It was
the most blessed moment of my life. It
was the culmination of many pilgrimages attempted and undertaken. To me, Shiva represents all that is lofty and
pure, all that is auspicious, the epitome of tapasya (fire born of spiritual
practice).
While Sri Radha-Krsna is my ishta-devata (preferred form of
Iswara for personal worship), I also have a special relationship with Shiva. Some of my most intense spiritual moments
have been during pilgrimages to Shiva’s abode—in Kedarnath, Amarnath, and Tunganath,
for example, and also, curiously, in Puri.
As moved and inspired as I was by my visit to the Jagannath Mandir in
Puri, my most memorable moment during my first trip to Puri came during an
evening aarti at the Bharat Sevashram Temple in Puri. There was a Shiva linga there, and during the
aarti, I felt Shiva asking me, “Will you surrender your life to Me?” I responded wholeheartedly and instantly,
“Yes!” Since that moment, I have tried
to make sadhana the first priority in my life.
I haven’t always succeeded, but no matter how many times I fall, I
remember that moment and somehow it gives me faith and strength to come back to
the path of sadhana.
If Hinduism / Sanatana Dharma were stripped down to one
deity, one form of Iswara, I think it would be Shiva as he embodies all aspects
of our Dharma. No other deity
encapsulates as perfectly both the nirguna (without form) and saguna (with
form) aspects of Iswara, as explained in the Shiva Purana. Shiva belongs both to the acharyas (the
mainstream preceptors of Hinduism) and to the avadhutas (realized ones who
generally shun mainstream society and social conventions). He embodies the Vedas—perhaps the most
sublime of Vedic hymns, the Rudram-Chamakam, is in His honor—yet, he is also
the favored Lord of those who follow the Tantras. He is attainable by those who follow
Dakshinachara (the right-handed path of sadhana, for those who follow socially
accepted forms of worship) and those who follow Vamachara (the left-handed path
of sadhana, associated with non-conventional forms of worship and what most
people stereotypically associate with Tantra today). He is the most severe renunciate, yet He is
also worshipped with Parvati as the Divine Couple in the form of Ardhanareeswara. He is the master of formless meditation and
world-negating philosophy, but He is also the master of all the arts as Nataraja,
Lord of music and dance. He represents
the path of unrelenting austerity and penance, but He is also most pleased by
the simple offering of abhishekha, bathing Him in his linga form. His favorite ganas (associates) are wild,
grotesque and sometimes frightening, but of all the devas, He is the one who is
most easily pleased, most easily moved to dispense boons and blessings. He is Iswara for all beings, in both his fierce
and gentle forms, attainable through an astoundingly diverse number of paths
and forms of worship.
Of all the different Hindu holidays, Maha Shivaratri is the most
important one for me. It is the one day
and night into which I can pour all the love I feel for Shiva. My regular routine of sadhana and puja does
not include much worship of Shiva, at least not as much as I would like. This is the occasion when I can make it up to
Him. This is one 24-hour period in which
I can focus solely on Shiva.
I usually spend Maha Shivaratri at the Ganesh Temple in
Flushing, NY, where the occasion is celebrated in an elaborate way with a lot
of pomp and devotion. If for nothing
else, I will always be grateful to this temple for the beautiful Maha
Shivaratris I have spent there over the course of several years. As it happened, this year, due to various
circumstances and Shiva’s wishes, I ended up spending Maha Shivaratri at the
Broome Street Temple. It was a very
fulfilling experience, and I am grateful to have had the opportunity to observe
the all-night vigil there.
The puja was beautifully performed with a lot of bhava,
melodious chanting of Vedic hymns and uplifting kirtan that was performed all
night. I was in an enraptured state all
night, and the nearly twelve hours I spent there passed in a flash! It was also an inspiration to me to see what
Eddie Stern-ji and the team of volunteers at the Broome Street Temple have accomplished—what
is unique about this temple is its meticulous adherence to traditional worship
in accordance with Adi Sankara’s parampara while also being modern, welcoming
and inclusive. We should all support
this temple and the great work that it is doing.
Last but certainly not least, this was a very special Maha
Shivaratri for me because of an unexpected gift I received on this day. Since my trip to Mayapur in early January, I
have been gripped by a desire to learn how to play the harmonium. I do not know exactly what I would do once I
learn to play the harmonium (I have a feeling the neighbors in my apartment
building aren’t going to be too thrilled about it! :-) ), but I feel Sri Radha-Krishna
want me to play for Them as a way of pleasing Them. For the past two months, I have been doing
some research on classes and teachers, but nothing was quite coming
together. Then, all of a sudden, in the
span of the last week or so, I was able to join a class that feels like it will
be perfect for me. Once I found the
class, my next thought was, how do I get a harmonium? The day before Maha Shivaratri, in a
serendipitous way, without any effort on my part, I got connected with a
devotee who was able to provide me the harmonium I wanted. He brought it for me to the Broome Street Temple
on Maha Shivaratri night. This turn of
events also led me to participate in the special Maha Shivaratri celebration at
the Broome Street Temple, which I may have otherwise missed.
This was a blessing to me and deeply meaningful for a
variety of reasons. One, anything coming
on Maha Shivaratri is auspicious, and this was especially true with respect to
the harmonium since Shiva is the Lord of Music and Dance. Second, wherever my harmonium practice leads,
it is a comfort to feel that I have Shiva’s blessings as well as Sri Radha-Krishna’s. Perhaps most importantly of all, I think Sri
Radharani, Sri Krsna and Shiva wanted the harmonium to come to me on Maha
Shivaratri to remind me that I need in my life both worship of Shiva and
worship of Sri Radha-Krishna, that my Vaishnava practices are not in conflict
but in harmony with other modalities of worship, that worship of one strengthens
my worship of the other. This reminds me
that when I worship one, I worship the other as well. There is no greater blessing for me than to
know that an instrument through which I will practice devotion for Sri Radha-Krishna
has come through the hands and with the blessings of Shiva. I think that is how Sri Radha-Krishna wanted
it, too. This is a reaffirmation to me
of the famous shloka from the Skanda Purana:
My heartfelt obeisances to Shiva! Har
Har Mahadev! Om Namah Shivaya! I hope all of you have had a blessed and
auspicious Maha Shivaratri!
As a bonus treat, while I was looking up the exact words of
the shloka above, I found this lovely hymn from the Harivamsha Mahapurana (part
of the Mahabharata), which I’ve copied below with some minor modifications from
markandeya uvaca
Shivaya vishnu-rupaya
vishnave Shiva-rupine
yathantaram na pashyami
tena tau dishatah Shivam
(Markandeya said: I do not see any
difference between Shiva in the form of Vishnu and Vishnu in the form of Shiva
They provide auspiciousness to the world.)
anadim adhya nidhanam
etad aksharam avyayam
tad eva te pravakshyami
rupam hariharatmakam
(I proclaim that the form with the soul
of Hari (Vishnu) and Hara (Shiva) has no beginning, middle and end
(destruction). This form is imperishable and having no decline.)
yo vishnuh sa tu vai rudro
yo Rudrah sa pita-mahah
eka murtis trayo deva
Rudra-vishnu-pitamahah
(The one who is Vishnu is Shiva
himself. The one who is Shiva is the grandfather. The manifestation is one for
the three lords, Rudra (Shiva), Vishnu (Krishna) and the grandfather (Brahma).)
varada loka-kartaro
loka-nathah svayam-bhuvah
ardha-narishvaras te tu
vratam tivram samasthitah
(They provide boons, they are the
creators of the world, they are lords of the world, they are born from
themselves, they are the half woman-man lord, observing severe penances.)
yatha jale jalam kshiptam
jalam eva tu tad bhavet
Rudram vishnuh pravishtas tu
tatha Rudra-mayo bhavet
(As water that falls on water becomes
water, when Vishnu enters Rudra (Shiva), he (Vishnu) will become full of Rudra
(Shiva).)
agnim agnih pravishtastu
agnireva yatha bhavet
tatha vishnum pravishtastu
rudro vishnu-mayo bhavet
(As fire that enters fire becomes fire,
when Rudra (Shiva) enters Vishnu, he (Rudra, Shiva ) will become full of
Vishnu.)
Rudram agnim ayam vidyad
vishnuh somatmakah smritah
agni-somatmakam caiva
jagat-sthavarajangamam
(Remember that Rudra (Shiva) has the
soul of fire and Vishnu has the soul of soma (nectar, moon). All the world
including the fixed and movable beings have the combined souls of fire and soma
(Shiva and Vishnu).)
kartarau capahartarau
sthavarasya carasya tu
jagatah shubha-kartarau
prabha-vishnu maheshvarau
(Splendorous Vishnu and the great lord
(Shiva) - both do good for the world. They are the creators as well as the
destroyers of the fixed and moving beings.)
kartri-karana-kartarau
kartri-karana-karakau
bhuta-bhavya-bhavau devau
narayana-maheshvarau
(Both the lords, Narayana (Vishnu) and
the great lord (Shiva) are the creators of the creation and reason. They are
the creators of all beings. Both of them are the past, future and the present.)
ete caiva pravarshanti
bhanti vanti srijanti ca
etat parataram guhyam
kathitam te pitamaha
(They alone cause the rain in the
world, light up the world (as sun), move in the world (as wind) and create the
world. O grandfather! I have described the highest secret to you.)
yash cainam pathate nityam
yash cainam shrinuyan narah
prapnoti paramam sthanam
vishnu-Rudra-prasadajam
(The man who studies this daily and the
one who hears it (daily) will ultimately attain the highest place due to the
pleasure of Vishnu and Rudra.)
devau hariharau stoshye
Brahmana saha sangatau
etau ca paramau devau
jagatah prabhavapyayau
(I worship the lords Hari (Vishnu) and
Hara (Shiva) along with Brahma. They are the supreme lords, responsible for the
creation and destruction of the world.)
Rudrasya paramo vishnur
vishnosh ca paramah Shivah
eka eva dvidha bhuto
loke carati nityashah
(The supreme lord of Rudra (Shiva) is
Vishnu and the supreme lord of Vishnu is Shiva (Rudra). The same lord is moving
in the world always in two forms.)
na vina shankaram vishnur
na vina keshavam Shivah
tasmad ekatva-mayatau
rudropendrau tu tau pura
(Vishnu does not exist without Shankara
(Shiva) and Shiva does not exist without Keshava (Vishnu). Hence, Rudra (Shiva)
and Upendra (Krishna-Vishnu) have attained oneness, since long before.)
namo rudraya krishnaya
namah samhata carine
(I bow to Rudra (Shiva). I bow to
Krishna. I bow to the one moving in the combined form.)
namah shad-ardha-netraya
sad-vinetraya vai namah
namah pingala-netraya
padma-netraya vai namah
(I bow to the one having half of six
(three) eyes (Shiva). I bow to the one having two eyes (Vishnu). I bow to the
one having reddish brown eyes (Shiva). I bow to the one having eyes as
beautiful as the lotus flower (Vishnu).)
namah kumara-gurave
pradyumna-gurave namah
namo dharani-dharaya
ganga-dharaya vai namah
(I bow to the preceptor (Shiva) of Kumara
(Subrahmanya). I bow to the preceptor of Pradyumna (Krishna-Vishnu). I bow to
the one who holds the earth (Vishnu). I bow to the one who carries Ganga
(Shiva).)
namo mayura-picchaya
namah keyura-dharine
namah kapala-malaya
vana-malaya vai namah
(I bow to the one who wears peacock
feather (Krishna - Vishnu). I bow to the one having bracelets of serpents
(Shiva). I bow to the one wearing a garland of skulls (Shiva). I bow to the one
wearing a garland of forest flowers (Vishnu).)
namas trishula-hastaya
cakra-hastaya vai namah
namah kanaka-dandaya
namaste Brahma-dandine
(I bow to the one holding the trident
(Shiva). I bow to the one holding the chakra (Vishnu). I bow to the one holding
the golden staff (Vishnu). I bow to the one holding the staff of Brahma
(Shiva).)
namash carmani-vasaya
namaste pitavasase
namo stu lakshmi-pataye
uma yah pataye namah
(I bow to the one wearing the tiger
skin (Shiva). I bow to the one wearing the yellow dress. I bow to the husband
of Lakshmi (Vishnu). I bow to the husband of Uma (Shiva).)
namah khatvanga-dharaya
namo musala-dharine
namo bhasmanga-ragaya
namah krishnanga-dharine
(I bow to the one holding a staff with
skull on top (khatvanga) (Shiva). I bow to the one holding the mace (Balarama
-Vishnu). I bow to the one who smears ashes on the body (Shiva). I bow to the
one having a dark body (Krishna-Vishnu).)
namah shmashana-vasaya
namah sagara-vasine
namo vrishabha-vahaya
namo garuda-vahine
(I bow to the one who lives in the
burial places (Shiva). I bow to the one who lives in the ocean (Vishnu). I bow
to the one having he bull as his vehicle (Shiva). I bow to the one having Garuda
as his vehicle (Vishnu).)
namas tvaneka-rupaya
bahu-rupaya vai namah
namah pralaya-kartre ca
namas trailokya-dharine
(I bow to the one having not one (many)
forms (Vishnu). I bow to the one having numerous forms (Shiva). I bow to the
creator of deluge (Shiva). I bow to the one who holds the three worlds
(Vishnu).)
namo stu saumya-rupaya
namo bhairava-rupine
virupskshaya devaya
namah saumyekshanaya ca
(I bow to the one having a gentle form
(Vishnu). I bow to the one having a terrible form (Shiva). I bow to the lord
who is diversely eyed (Shiva). I bow to the one having a gentle look.)
daksha-yajña-vinashaya
baler niyama-naya ca
namah parvata-vasaya
namah sagaravasine
(I bow to the destroyer of the
sacrifice of Daksha (Shiva). I bow to the one who bound Bali (Vamana - Vishnu).
I bow to the one who resides on the mountain (Shiva). I bow to the one who
resides in the ocean (Vishnu).)
namah sura-ripughnaya
tripura-ghnaya vai namah
namo stu naraka-ghnaya
namah kamaanga-naShine
(I bow to the slayer of the enemies of
devas (Vishnu). I bow to the slayer of Tripuras (Shiva). I bow to the slayer of
Naraka (Krishna - Vishnu). I bow to the one who destroyed the limbs (and body)
of Kama (Shiva).)
namas tvan dhaka nashaya
namah kaitabha nashine
namah sahasra hastaya
namo sankhyeyabahave
(I bow to the slayer of Andhaka
(Shiva). I bow to the slayer of Kaitabha (Vishnu). I bow to the one having
thousand arms (Vishnu). I bow to the one having many arms (Shiva).)
namah sahasra-Shirshaya
bahu-Shirshaya vai namah
damodaraya devaya
muñja-mekhaline namah
(I bow to the one having thousand heads
(Vishnu). I bow to the one having many heads (Shiva). I bow to lord Damodara
(Krishna - Vishnu). I bow to the lord wearing garland of grass on his waist.)
namaste bhagavan vishno
namaste bhagavañ chiva
namaste bhagavan deva
namaste deva-pujita
(O lord Vishnu! I bow to you. O lord
Shiva! I bow to you. O lord! I bow to you. O lord who is worshipped by the
gods! I bow to you.)
namaste samabhir gita
namaste yajubhih saha
namaste sura-shatrughna
namaste sura-pujita
(O lord who is praised by the verses of
Sama! I bow to you. O lord who is praised by the verses of Yajus! I bow to you.
I bow to you! O slayer of the enemies of devas! O the one who is worshipped by
devas! I bow to you.)
namaste karminam karma
namo mita-para-krama
hrishikesha namaste stu
svarnakesha namo stu te
(I bow to the lord who is the action of
the performers. I bow to the one having unlimited valiance! O the lord of
senses (Vishnu)! I bow to you. O the one with golden hair (Shiva)! I bow to
you.)
Nice one, Aditi. Thanks! While growing up, I used to occasionally haunt the Bharat Sevashram temple near our house in Eastern India. Very tranquil atmosphere with beautiful temple in midst of nature, & the young & old swamis quietly going about their tasks .... thanks for bringing back those memories ...
ReplyDeleteRegds the harmonium .. good luck ... used to fiddle with it as a kid ... fun instrument, & broadly adapted into the bhajan ethos, so much so that bhajans sometimes seem incomplete without it. I friend was walking around NYC (Manhattan?) where he chanced upon a music shop ... run by the kirtan singer Krishns Das, no less, & bought a harmonium from him ....
Om namah shivaaya
Very moving, straight from the heart, personal journey. Such writing is itself a sadhana.
ReplyDeleteRajiv
This is an incredibly beautiful and personal piece and I was deeply affected reading it. The way you tied together the Vishnu/Shiva argument was great and definitely needs to be taught to other Hindus. Thanks for sharing, it brought me lots of peace!
ReplyDelete